Sunday, August 26, 2018

Modern Movie Franchises, Ranked 1-50

Nowadays every movie gets a sequel and eventually becomes a trilogy. The term franchise is more apt than ever because most movies are viewed as a business enterprise, a means to simply get as much money as possible. The reality is, that's what Hollywood has always been all about, so there's no reason to get nostalgic about some glory days that never existed. Except maybe for 1970s Hollywood.

As a film lover, I wanted to create this list for myself as much as anybody else, and with that said, the ground rules I set for this list are my own. If you got a problem, let's see your list, pal!

Rules:

1. No horror films. Too many franchises, and too many suck. Horror needs its own list.

2. At least 3 consecutive films in a series. Two consecutive films then a reboot does not count. So if The Amazing Spider-Man, The Amazing Spider-Man 2 and Spider-Man: Homecoming were the only films in the Spider-Man Series, that wouldn't count for this list. (But, of course, there is the original Tobey Maguire trilogy, so Spidey is on the list!) Also, using Spider-Man as an example again, there might be technically two or three separate series (originals, reboots, remakes), but I generally include them as one franchise.

3. One of the films has to have been made within the last 30 years. Unfortunately, that means no Godfather, but that's kind of in it's own playing field anyway.

4. I had to have seen at least one film all the way through. So yes, that means I only saw one film in some of these franchises. With the nature of franchises, you can generally tell if you'll like the other movies based off one. I think Godfather 3 is mediocre, but if I saw that first, it would have been good enough to spark my interest in the other two.

The thing is with this list, one classic film can lift up an entire franchise, and one awful film can bring it down. A franchise with all mediocre films might just beat out a franchise with one classic film because the rest in the series are awful. Here goes:


Modern Movie Franchises, Ranked


1. Mad Max
The original trilogy is incredible, and gets better with each installment. It is a product of the times (70s and 80s) which makes it amazing to me, but you have to enjoy the old school, independent film vibe to really appreciate the films. The newest entry, Fury Road, puts this on the top of the list. It redefined action movies for the 21st Century, while keeping the spirit of the originals.

2. Toy Story
The depth of character, the groundbreaking visuals, the emotional impact of the storylines. Toy Story redefined animated films and then ended up making a perfect film trilogy. The only reason it's not at the top of the list is because the last movie made me cry instead of making me want to play a flamethrowing guitar while chained to a tank like Fury Road. Of course, they will probably ruin it with the fourth installment, but maybe they can pull off what Mad Max managed.

3. Back to the Future
Yeah I'm biased with Michael J Fox, so what? So much fun. The first two are perfect (if you don't think too hard about the time travel paradoxes; and, if you do, that can be lots of fun, too). The 3rd is fun and actually wraps up the story very well, just maybe not how we had all envisioned it with the Wild West thing.

4. Batman
Imagine if Tim Burton got to finish out his original trilogy? I don't even hate Batman Forever, but a Burton and Keaton trilogy to compare to Nolan and Bale's trilogy would've been great. Batman has 4 classic films (the first two in each series) two good films (the third in each series) and one bad movie (Batman and Robin) which I will still watch any time. It also has the Adam West original movie (and series) which is a classic in its own right, and Lego Batman, which is great. Sadly, there's also Batman vs Superman, but I place that in the shitty DC Extended Universe where it belongs. Sorry Batfleck.

5. Marvel Cinematic Universe (Avengers, Thor, Captain America, Iron Man, Black Panther, Guardians, Dr. Strange, Ant-Man, Incredible Hulk)
This is a big one, and some weak movies *cough* Guardians *cough* benefit from the association with stronger films, but you have to appreciate the sheer magnitude of this franchise. Somehow, with all these characters and directors and writers, they've managed to make several coherent individual series connected to a coherent group film series, over a period of 10 years. And most of them are pretty damn good! Some are amazing! Overall, we've never seen anything like this in film before, and we should appreciate what we have.

6. Indiana Jones 
This was so close to being a perfect trilogy. I mean, yeah, it had the racist caricature of Indian people in Temple of Doom, but it's still a great movie. Raiders and Lost Crusade are classics, and it was a well rounded story with a clear beginning and end...then came Shia freakin Labouef and his SUV surfing. It hurts to think about. It hurts even more to think about the next movie that is coming out. Why? Let Indy die. Like Young Indy. Sorry.

7. Rocky
For some reason, I don't think about Rocky too much when I think about franchises. Maybe it's because Stallone and his characters like Rocky and Rambo are just part of the public conscious at this point. They're just characters that have seemingly been around forever. I almost forget that it was an incredible film series at one point. Plus, the latest installment, Creed, reinvigorated the whole story. All it took was to make Rocky a side character!
The original is classic cinema. The next one is a great comeback story/love story between two former opponents. The third has Hulk Hogan and Mr. T! The 4th one ended the Cold War. Then there were two more which killed the positive memories we had of the series until Michael B Jordan came and kicked it in the ass.

8. Die Hard
The original is one of the greatest action movies of all time, if not THE greatest action movie. Definitely the best action movie that takes place in a skyscraper. The sequel pales in comparison, except for it's unbelievably awesome name: Die Harder. Also, Detective Sipowicz is all up in there yelling at our hero, so it's enjoyable. Die Hard With a Vengeance with Sam Jackson is great. Just the mere connection to Hans Gruber brings it up several notches. Then, once again, Shia Laboef ruins a legendary trilogy by showing up in part 4. It was never going to succeed with the name Live Free or Die Hard anyway, but still. Finally (hopefully it's final) Vladimir Putin ruined It's a Good Day to Die Hard. I'm guessing he forced the creators of the movie to make a ridiculous story line in Russia, otherwise I have no fucking idea what they were thinking.

9. Spider-Man
It started with one of the best superhero movies ever (when they were barely a thing!) then followed up with a better movie, then ruined all that with Emo Peter Parker in part 3. Spider-Man 3 was so bad they rebooted the whole series and came back with...even worse trash. If The Amazing Spider-Man 1 and 2 never happened, Spidey would jump up a couple spots in the list. Homecoming, the most recent reboot, was great, and balances out the awfulness of Garfield era Spidey. (I also include Homecoming in the Marvel Cinematic Universe).

10. X-Men
It started with one of the best superhero movies ever (when they were even less of a thing!) then followed up with a better movie, then ruined all that with Brett Fucking Ratner directing part 3. The Last Stand is ok because it has so many beloved characters and a lot of action, but the story and writing sucked. X-Men Origins: Wolverine and The Wolverine sucked adamantium dong, but Logan was one of the best movies of last year, period. Doing a soft reboot and keeping the original version of some characters while introducing us to younger versions in First Class was cool (the movie was decent overall) and Days of Future Past was really entertaining, but Apocalypse sucked hardcore. That one and the first two Wolverine movies keep this from being higher on the list. Plus, the entire timeline is completely out of wack. There's no use trying to make sense of the timeline from one film to the next after part 3, but that doesn't hurt the overall enjoyment.

11. The Matrix
The original Matrix was one of the coolest movies ever...at the time. The second movie had some incredible action scenes...and then the last 30 minutes and The Architect happened. Then the third part happened. The third retroactively made the original much less cooler. But it's hard to overstate the impact this had on action movies, and the black leather industry.

12. Lord of the Rings
I separated this from The Hobbit because The Lord of the Rings is so much better it seems impossible that they are made by the same people. Also, I never sat through a whole Hobbit movie. I'm just assuming they are horrible based on what I did see. The Lord of the Rings is a great series, and  in theaters it was stunningly beautiful. My favorite is the 2nd. The first is a bit slow to get going, and the last one is treacherously slow to end, but a solid series.

13. Shrek
The first two are classics. Well, definitely the 1st. Anytime you create a character that's so iconic it becomes shorthand for an insult (your girl looks like Shrek!) you deserve some credit. The 3rd was unnecessary: we didn't need Timberlake in the Shrek Universe. We definitely didnt need Shrek Forever After. But they kinda made up for it with the Puss in Boots spin-off. 

14. Austin Powers
We forget how funny the original Austin Powers was because of how deeply it became entrenched in the public's conscious. Endless shouts of "yeah baby!" really watered down the comedic genius of the original, and even the 2nd. Mini-Me?! Fat Bastard?! Classic characters. Yeah, the jokes were recycled, but they were funny jokes! Then they tried it a third time and the shine had worn off. Goldmember wasn't horrible, but it was just kinda...there. With Beyonce.

15. Lethal Weapon
The first two are classics, although the second one gets increasingly ridiculous. This and Die Hard cemented the "rogue cop who can't be tamed but he always fights for good" trope as the leading cop trope in movies and tv forever and ever. Mel and Danny Glover were great together, but the star of the series was the saxophone. The sax solos littered throughout the series were iconic. Really set the mood. 
I remember the 3rd one being good, then I rewatched it a few years ago and wanted to kick the screen whenever Joe Pesci was on. Ok. Ok. Ok. Ok. Ok. Fucking ok we get it Joe. The 4th one was an embarassment, with Chris Rock and Pesci trading weak punchlines back and forth nonstop. Jet Li was cool tho. 

16. Men In Black
Classic original. Good second. Never saw the 3rd, but I'm sure it was fun. Thought they could've done a lot more with this franchise, especially with Will Smith, but it was enjoyable overall. The 4th will most likely suck.

17. Naked Gun
You know a parody is good when it outlives the targets of its humor. Who even knows half the movies Leslie Nielson and OJ were parodying in these films anymore, yet somehow they still hold up. Yes, they are silly as all hell, but that was the point! Nobody was taking these serious. There was no moment in the film where a character had a serious reflection or deep conversation about the meaning of life. It was just laugh after laugh. All 3 have classic moments.

18. Planet of the Apes (reboot series)
I'm only including the Reboot series here because a) fuck Charlton Heston and b) I never saw the originals except bits and pieces on Saturday afternoons as a kid. The Tim Burton one sucked, too, so that is not included. This most recent series has been surprisingly good, although I still have to see the finale. The tone is perfect, the CGI apes are incredible, there's a solid story, and the action scenes are great. Can't ask for much more in a series about fighting monkeys.

19. Jurassic Park 
I want this to be so much higher, but it just doesn't deserve it. The first one is legendary, and it still holds up, like Goldblum's sexiness. But from the sequel on, it's been disappointment after disappointment. The new series has not impressed me at all. Maybe I'm not the audience for it at this point, and that's okay, but I just think they can never capture that pure feeling of awe that the original inspired in the audience.

20. Bond
Not a huge Bond guy but I get it. I've seen a whole bunch and I like some. I probably saw more with Pierce Brosnan than any others. Daniel Craig is cool. Sean Connery is a woman-beater but he looked good in a tux I guess. I respect the series, it's just really up and down. You have to really like Bond movies to like a Bond movie, ya know? It's very much a genre unto itself.

21. Bourne Identity
Well, almost a genre unto itself. Jason Bourne, the modern day Bond. The first was dope, although it makes you a little queasy with the camera movement. The 2nd one seemed to amp up the motion, to the point where that's literally all I remember and I didn't care about seeing the rest. It doesn't say much about the franchise that they had to bring Damon back after one movie without him, but these are always good for 2 hours of espionage action.

22. Scary Movie
The only reason this is so high is off the strength of "my little hand." I can watch Chris Elliot in Scary Movie 2 until the end of time. The original was great mostly for how hard it crapped on Scream (which wasn't easy to do because Scream was actually good and very funny). They aretrue  spoof movies, though, and unlike Naked Gun they only work if you've seen the movies it's spoofing. Also, most spoofs exist in a very specific moment in time. They don't hold up very well...except for Chris Elliot's little hand, obviously.



They went on to make like 5 of these, one of which co-stars Shaq, so that's how deep off the edge this series went. 

23. Hunger Games
I was surprised how much I liked this series. Each movie (almost) was good in and of itself, with its own unique feel and tone, while still establishing a complete world across the series. It was fun and emotional and action packed. Then the last film came and shat all over everything. I was once again surprised, this time by how badly the filmmakers could ruin a good series with one shitty film. Seriously, what was up with the finale? I feel like it was an hour and a half inside of a dark sewer.

24. Kung Fu Panda
Skadoosh. I love King Fu Panda. Great characters and story, great animation, great voice acting. Obviously I'm biased with Angeina Jolie and Jackie Chan, but everyone is great, even Seth Rogen. The second one isn't great but the series is one of the best modern animated franchises.

25. Fast and Furious
This was a typical cars and guns and half naked women movie series for a while...and it sucked. Then they realized that getting increasingly ridiculous and absurd could save their lame ass franchise. The Rock helped, too. Vin Diesel can't be the only muscular bald guy in your movie.
The whole name thing (2 Fast, 2 Furious; Fast 5; Furious 7) represents the appeal of this movie: it's so stupid, so you can't help but make fun of it, but then you realize you are spending an hour trying to come up with the name of the next movie (Fast 8 Furious? F8st & Furi8us?) and that kinda means you're a fan.
Part 6 in particular is highly absurd, the most enjoyable by far. And to be completely honest, The Wiz Khalifa tribute song playing at the end of part 7 as Paul Walker drives into the sunset is actually very touching.

26. Mission Impossible
Got a lot of heat for putting this series on my "worst" list. Didn't know there were so many hardcore MI fans! Although I guess there must be because they made 6 (!) of these damn things. I checked out after John Woo turned MI:2 into Face:Off 2.
I don't hate this series at all. The first was very good. I've heard others are good, too, and I'm sure the action is incredible. Plus, Tom Cruise is a literal madman and it's fun just to see the behind the scenes with him hanging onto a flying airplane. But, the series just bores me. Same with Bond and Bourne. I guess I'm not into secret agents carrying out covert ops. Seems like I would be, but...nah.

27. Terminator
This could've been the greatest 1-2 combo ever if they let well enough alone. The first two are film classics. They made Arnold a worldwide star. What the fuck have they done to this series? I saw the third one in theaters. When the female terminator's boobs grew I was simultaneously aroused and disgusted. Then there was like an Arnold clone or some weird shit in Salvation. They tried having Khaleesi save part 5 but even that couldn't work. What a joke this series has become. 

28. Star Wars
If I broke this down, the original trilogy would be much higher. Blame George Lucas for this spot. Do I have to talk about the prequels? We all know how awful they were. A lot of people seem to think The Force Awakens was amazing and rejuvenated the series. I think it was a decent reboot of the original, but that's about it. The Last Jedi was highly enjoyable for a non-hardcore Star Wars fan. So the two new movies in the series have somewhat made up for the prequels. But then they went and started with these spin-offs and already the world is feeling Star Wars fatigue. Rogue One sucked despite what anyone tries to tell you about how cool the final scene was (it was, but man, how did you stay awake to get to it?) and Solo was so bad Disney might stop the spin-offs altogether.

29. Home Alone
Kevin! We all know and love the original. I think it's a bit overrated, but I watch it almost every Christmas. There was a deep, rapid fall off with the second one. Do I even need to mention who appears in a cameo? That symbolizes the moral rot of this series. They hit a gold mine with Macauley Culkin smacking himself in  the face and wanted to bank on his cuteness while it still lasted so they rushed a shitty sequel. Then they tossed him aside for the third. And 4th. And 5th. Seriously, they made 5 of these things?

30. Scream
(I'm breaking my rules on horror here because...just because. Deal with it.)
It says a lot about a series that the parody of it is better. Scream was monumental. Rejuvenated the horror industry and Drew Barrymore's career. It made the shitty Halloween mask your mom bought at CVS seem super cool. And it showed that a horror could be funny and witty and clever, not just gory. The second one didn't immediately ruin the series; it actually had its good moments. The ending was a bit ridiculous because they thought they needed a big twist, but it was an acceptable horror sequel. The third was more of the same with much less wit and charm, which is ironic, because they toned down the violence and focused on the humor in the wake of Columbine. It didn't work. The 4th is an abomination.

31. Teenage Mutant Ninja Turtles
This probably shouldn't be so high, but I have a severe soft spot for the original. It was so damn good. And unique. Still is. The 2nd one was fun but pales in comparison to the original.
Somehow, Michael Bay's recent additions to the series managed to make travelling to Ancient China in the 3rd film seem like a good idea.

32. Ocean's 11
The Ocean's movies are less films and more excuses for a bunch of rich famous people to hang out and do (somewhat) witty dialogue. The first was a lot of fun. The 2nd was incredibly dumb (the whole Julia Roberts and Bruce Willis thing? yikes) The third was okay but the whole concept was exhausted at that point. Well, maybe not, considering they made a new one. All female this time! That's completely different and new! Women be stealinnnnn!

33. Rambo
If you never saw the original, you might think Rambo is just an unrepentant killing machine. There's not many movie series with such a dramatic change in tone from the original to the sequels. Rambo was a Vietnam vet trying to live out his life in the woods, but corrupt cops tried to kill him so he defended himself. It was a commentary on the shitty treatment of vets and PTSD. Then they decided to have him kill 75 people in the second one and increasingly more in the next installments. The idea of Rambo the Destroyer was stronger than the traumatized vet character in the original I guess. They did make a cool cartoon in the 80s though. My question is, who saw Rambo 1 or 2 and said: "This would be a great role model for kids!"

34. American Pie
The original was funny as hell at the time it came out. And Shannon Elizabeth...my god. But it lost its appeal on second viewing, and the sequel was more of the same, with the addition of giving us "Milf." They've made like 80 of these straight to video. It's the Meatballs or Porkys of the 90s/00s, and much like those movies, they will not be looked back upon very fondly.

35. The Hangover
Speaking of not being looked back on fondly...
The first one banked on the endlessly charming Zach Galiafankis, the gorgeous brown locks of Bradley Cooper, and Ed Helms. It worked for the first one, though I still say they should have shown their blacked-out shenanigans during the movie, not in some pictures during the credits. The 2nd was a poor choice. There was also a third.

36. The Mummy 
Shoutout to Brendan Fraser. He got blackballed for being an abuse victim. Many people thought it was because of the 2nd and 3rd films in this series. I can see why.
The Rock was the weird CGI Scorpion King and shit got off the rails. But let's not forget how much fun the first one is. Apparently the reboot with Tom Cruise was so bad Universal Studeios cancelled their ideas of bringing back all the old school monster movies. A fitting end to this series.

37. Star Trek
Can't say much about this series. I've seen a bunch of the movies a while ago. They're ok. I like the one with the whales the most. No interest in the new ones because they are Star Wars clones (pun intended) instead of a Star Trek reboot (so the "Star" movie people tell me anyways). Clearly, the show and movies had an unprecedented impact on society (Klingons! Phasers! First interracial kiss! Sex with green ladies!) so it deserves a lot of credit. From someone else.

38. Ice Age
The original was great. But when a short unrelated film at the beginning of your movie, plus the voice acting of John Leguizamo, are the best parts of your movie, there's only a certain level you can reach. The sequels got increasingly repetitive and uninteresting, as a lot of these animated series do. Only a few can stave off that curse.

39. Madagascar
Madagascar is not one of those series. The first is really good. But how much David Schwimmer can anyone take? And Chris Rock's voice has never been his strong suit. It's another "group of animals come together for assorted hijinks while overcoming serious obstacles" animated series that basically follows the same formula as Ice Age or Kung Fu Panda.

40. DC Extended Universe
Why oh why is the DC Extended Universe so bad? DC had it made with 2 stellar Batman franchises! (I'm not including the Burton and Nolan Batman series in the DCEU, obviously.) They have the first major superhero in the world. They have THE female superhero (at least they didn't fuck that one up). Yet, from Superman Returns on, they just fail over and over again. Even Wonder Woman, their best movie, is about 30 minutes too long and the plot is kind of stupid when you think about it. I finally forced myself to watch Justice League (while reading this actually) and I'm not happy about it. Fuckin Steppenwolf is your Big Bad?
These are not enjoyable, or cohesive films. Just a hot mess.

41. Rush Hour
Come on. You liked Rush Hour when it came out. Chris Tucker was a funny motherfucker. And Jackie Chan is motherfucking Jackie Chan. Their chemistry was real, the movie was fun, the story was decent, and Jackie was doing stunts like he was in his 20s. Then there was part 2, trying to cash in on the success of the surprise hit. And part 3, trying to bleed the very last cent they could manage out of this bloated corpse of a franchise.

42. Ernest
Hey Vern! We all suffered through at least one Ernest movie in our childhoods. I will still say, Ernest Goes to Camp is an underrated, unerappreciated gem of a film. The others were used at Guantanamo to torture people.

43. Despicable Me
Despicable Me is funny. Steve Carell is great as usual. But this is the series that gave us the Minions, and everything that comes with them. They were actually cute and funny in the original. They quickly got historically obnoxious. So of course there were two sequels and a Minions spin-off!

44. Meet the Parents/Fockers
Nobody under 25 would ever believe Robert DeNiro was one of the finest dramatic actors of his generation. The original is good for a laugh or two. But man, they really got a lot of mileage out of the "their last name is Focker!" joke.

45. The Expendables
Fun idea. It is what it is. You know exactly what you're getting. Big dumb explosions with action stars of the 80s, 90s and today. It exists, that's about all I can say for it.

46. DaVinci Code
Tom Hanks' hair...bro. What? Sheesh.
I really enjoyed the book, and I loved the Angels & Demons book. This was such a horrible adaptation that I stopped reading Dan Brown novels after watching it. It retroactively made the books shitty.

47. Harry Potter 
I was just never into this. I tried watching the first one 3 times and couldn't do it. Order of the Phoenix was pretty dark and trippy, though, so that was cool. Highly overrated series, by adults anyways. I'm not mad if you loved this as a kid. But grow up. Come on.

48. Pirates of the Caribbean
The series that simultaneously made Johnny Depp a worldwide megastar and killed his career. The first one is very enjoyable. The second one is torturous; I think Captain Depp was just running away for 3 hours. I never made an attempt to watch another. I was dumbfounded when I saw that there are 5 of these things, and they are all 4 and a half hours too long.

49. Twilight
I actually saw the first two in theaters. The perks of working with teenagers when it was popular. It is as lame as you assumed. Plus, every person I talked to hated the last few movies, even hard core fans; if you can't win me over with your glittery vampire movie that's one thing, but if the teen girls that grew up on the books aren't feeling it, you failed miserably.

50. Transformers
I've only seen the first one and the first 2 hours of the second one (pretty sure it's 8 hours long) yet I can say with confidence that every film in this series is awful. The 6th is coming out this year and the 7th next year. Kill me.

I Love You All...Class Dismissed. 

Tuesday, August 21, 2018

The Most Pointless Bullshit on the Internet, vol. 1

The internet! It's great. But there is a whole lot of pointless bullshit on it. I'm not talking about Taylor Swift videos or animal crushing videos either. Those are awful and cruel and speak volumes about the state of our society, but they have a point. Whether you like/agree with them or not, they serve a purpose (to crush the souls of all who watch them). The things I want to talk about in this series just serve no purpose whatsoever, or, they fail so miserably in their intended purpose they make the Space Shuttle Challenger mission look like a success. 

Lets get ready ta rrrrraaaambbble dont sue me Michael Bufferrrrrr!


The Most Pointless Bullshit on the Internet, vol 1: Facebook Emoji Reactions


A few years back Facebook introduced 5 options to their reaction buttons, in addition to the original "thumbs up," or "like." Do you even remember when it was just "likes"? They introduce this new stuff, we all complain for a bit, then we forget about it and keep using it like nothing changed. Well, I'm still complaining dammit! 

For years, a debate raged online about whether Facebook should add a "dislike" button. We were all so innocent then. Now we have 6 reactions to choose from when your friend or cousin or guy you worked with for a few months last summer or an old middle school chum post something. Maybe on the surface it seems like a good idea to give people more emoji options to express themselves. It certainly seems like something an alien or cyborg studying human nature would think we want. 


In reality, it just causes more anger and confusion. 

First off, never give people the option to say they're angry online. They are always angry online! Let's look for ways to help people control their anger, not embrace and promote it. Whenever someone hits the angry emoji on a post I share, even when I know we're on the same side of the issue, it makes me more angry seeing that stupid half red emoji. Fuck that angry emoji! See. More angry just thinking about it!

Giving us 6 emojis is worse than just giving one. We all know "like" can mean a variety of things. Sometimes, I like a post because it's interesting. I might like an infuriating article that I've read and want people (and the algorithms) to know I've read it, but I don't necessarily want to share it on my wall. Sometimes it's a friend's picture that I simply "like" like. Well, not "like" like, like back in middle school, but "like" as in I just like it, so I hit "like." You get it.  



Even with the wider range of emojis, it's not always clear what the emotion is directed at. If someone responds with "angry" at my post, what are they mad at? The story? Or my comment that went along with it? Do they hate the thing Trump did, as described in the article I shared, or do they hate my accompanying comment shitting on Trump for what he just did? Depending on the person reacting to it, it's not so easy to tell. 

Plus, if my comment is sarcastic, there's another level of confusion. Are they mad at what I actually said, or what they thought I said? Did they think I was being sarcastic when I was being serious, or vice versa?  It's a guessing game that can go on forever, and I don't need that stress. 

All of the emotions have a variety of possible meanings, because emotions are deeply nuanced. "Sad" can mean a variety of things, from being upset at someone dying, to a politician losing/winning, to overall melancholy, to sarcastic shitposting. To accurately reflect even a small portion of the range of human emotions, you'd need dozens more emoji responses. And those emojis exist! You can use them on Facebook in the comments! So...what the hell is the point of all this, Zuck?

So many emotions. And animals. And Floppy disks. 
Do people still know what floppy disks are?


All of this is why I just "like" posts, regardless of how I feel about them. So if your granny dies and I "like" your post, just know that I don't like the fact that she died or that you're upset. My heart is with you, I swear. But I don't want to put a "heart" emoji because that seems like I love that your granny drowned in the community pool. I don't. I would put a sad emoji, but I didn't personally know her, and although I'm sad for your loss, maybe she is in a better place. A place with lifeguards on duty. 

When I "like" a news article, it can be for a number of reasons, ranging from hate to love to morbid curiosity. The same isn't true for regular people's posts. If you share a news article, you can assume that I agree with your accompanying comment. You can also assume that I actually liked your post about graduating or spending the day with loved ones at the beach when I "liked" it. However, I may or may not have liked the new shirt you were showing off. I may have actually been laughing at you and didn't want to put the "laughing" emoji. Same thing with pictures of your baby. 

Share and like this post, yall!

I Love You All...Class Dismissed. 

Tuesday, August 14, 2018

Quintessential 90s Hip Hop Fashions

Part 1 of this post appears here on 90s Hip Hop Junkie dot com.
Part 2 appears here.

Despite what Sprite tried to tell us, when it comes to hip hop, image has always been important. Fashion and hip hop have gone hand in hand since the very beginning. The Kangol and the Adidas track suit were almost a requirement in the late 70s and early 80s.

Grandmaster Flash

Nowadays, rappers hardly spit a verse without mentioning their favorite fashion designer, or their own fashion label. Or they name themselves after their favorite fashion designer.

Gucci Mane

In return, marketing companies use hip hop slang or fashion to target the youth (to various degrees of success). It's safe to say fashion and hip hop have maintained an intimate connection.

Early on, a lot of hip hop fashion followed in the steps of disco fashion, which...wasn't great. Dre may be a billionaire, but he'll still never live down the style choices of his first group.

2 years before NWA.

In the 80s, when rappers realized they needed to do something to separate their image from that of the coke fueled disco era, most of hip hop fashion followed the b-boy style. This was much more suited to the target demographic and the participants. Hip hop wasn't for the disco clubs, it was for the streets, the neighborhood and basement parties. So track suits, Kangols, shell toes, Chuck Taylors, and Gazelles were the wave. If you were a dancer, maybe you rocked a headband. Someone in the crew was definitely carrying a giant boombox.

Then, when Run DMC dropped "My Adidas" in 1986, the fashion world, and the world at large, realized the influence rap could have on the consumer public. Adidas sales went through the roof after the song hit the airwaves. And rappers realized the importance of style in creating their own identities. Run DMC never wore another sneaker at a performance.

And Adidas released Run DMC sneakers, coming full circle. 


As hip hop spread across the country, different regions expanded on the sounds and the styles of early rappers. The West Coast Gangsta aesthetic (Khakis, Chuck Taylors, plaid shirts over white tees, bandanas) became popular. The East Coast B-Boy became more rugged, with dark, baggy clothes and winter gear (skullies, boots, hoody). The 90s is a heralded era in hip hop, and it still remains influential to the sound and style of modern rap. The nostalgia centered on the era is almost as much about the fashion as the music.

Converse, Adidas, Reebok, and even Puma were the main sneaker brands among urban youth until Nike and Jordan came along. Throughout the 90s, Nike dominated with basketball sneakers and cross trainers. Besides Jordans, two of the most popular sneakers were the Bo Jacksons and the Charles Barkleys.

Bo knows 90s color schematics. 



Reeboks had the Classics and the Pumps, then the Shaq Pumps, which required actual tools to use.

Save up for those CO2 cartridges, kids!


There were the incredibly heavy Ewings...



And the obnoxious LA Gear and La Tech/LA Lites...


As well as British Knights and their BK Ratch Tech...



Fila even had a moment on top with Grant Hill's and Jerry Stackhouse's signature shoes.





For leisure wear there were Hush Puppies, or Clark's Wallabees, which could be self-customized of course. Clark's finally decided to work directly with the Wu earlier this year.

For jackets, there were the Avirex bombers, or the Double Goose...


Or the 8ball jackets for the ultra cool...

And Puddy.


Of course, everyone had Starter. Either the regular jacket...


The hoody with the full zipper...


Or the pullover hoody...


Bonus points for Raiders, Bulls, UNLV, Hornets, or any other 90s expansion team.

Hoodies are a vital aspect of any Hip Hop Head's wardrobe. Starter had the jackets on lock, but Champion had the best hooded sweatshirts. Rugged outdoor gear was always popular on the East Coast, and brands like Timberland, Carhartt, Northface, Gortex, even Columbia all benefited.

For clothes in general, Tommy Hilfiger, Nautica, Polo, Karl Kani, Guess, Pelle Pelle, South Pole, Ecko, were all popular. These brands benefited from their association with hip hop but didnt necessarily acknowledge it. Then more brands with a specific "urban" focus came out, many under the direction of hip hop moguls. Russell Simmons had Phat Farm. Puffy had Sean John. Jay Z had Rocawear. Wu Tang had Wu Wear. At some point, rappers got into more designer brands like Moschino, Versace, Gucci, DKNY, and, because of Biggie's sweater, Coogi.



Much of hip hop fashion comes down to what brands are hot at the time, and that can change quickly. Rocking Fubu or Sean John in the 90s was cool, but if you were still rocking them in the new millenium, it was assumed you got it on clearance at K-Mart.

The most quintessential 90s brand has to be Cross Colours. It was based in South Central, and their tagline was "clothing without prejudice" in an effort to spread social awareness at a time of high violence, AIDS, and racial tension. At its height of popularity, people like Arsenio Hall and the characters on A Different World wore it.

Mark Wahlberg AND the Funky Bunch even wore it.


And I don't think anyone has worn it since January 1st, 2000. The brand seemingly evaporated with the end of the 90s.

"Keeping it real" was always been an important ethos in rap, so you were better off getting a shitty brand than a knock off. You could pull a Biggie and sew alligators on your shirt, but don't let them see the inside. You never wanted to get caught wearing the bootleg joint.

As young Donald Glover reminded us in Atlanta. The 05 jerseys were hot, too.

It was never all about brands though; how you rocked it was always as important. Would Adidas have looked so cool if Run DMC tied their laces like most people? Or if they were wearing corduroy pants?  The coolness of the style depended on the person rocking it. If Run DMC was making electro synth dance music like Dre's World Class Wrecking Crew, that would have definitely affected people's perception of their fashion. But when you mix the no laces Adidas with the all black outfits and dooky rope chains, and you add the hard rock chords over the thumping bass with DMC's booming voice and Run's energy, you get fashion and music icons.

So things like overalls became popular for a while, and it didn't matter what brand they were, it just mattered whether you were rocking one strap or two and what was on underneath.

To be honest, not many people could rock this combination


Fitted hats didn't have to be Starter of New Era (it helped) they just had to be worn properly. Backwards, slightly to the side, straight up with a small curve in the brim, or no curve and worn over a bandana or durag.

Some things never go out of fashion.


Karl Kani and Guess jeans were some of the most popular, but Levis or even Old Navy were fine if they were baggy enough. Nobody knew ABC's favorite brand but we knew they wore their clothes inside out. And then we all realized how "wickety wack" that was when Kriss Kross showed us how much cooler it was to rock clothes backwards.

Note to 13 year old self: not that cool.


Champion sweatpants were the best, but all that really mattered was whether you rolled up one pants leg like LL or not.

With or without a racing jacket.

The best hip hop fashion styles of the 90s had nothing to do with brands and more to do with accessories. TLC could attach condoms to all of their clothes and look fly.


Mary J showed that all you needed was a cap and hoop earrings to make us fall in love.

 

Jerseys were always dope, too. Mitchell & Ness were huge for throwback jerseys, and they're still popular, but customized jerseys and authentic jerseys from any sport were great. And then there was the jersey dress...

This happened in 2003 but I'm including it because...come on. 


Bucket hats, brought back recently by Schoolboy Q and Smoke DZA, were huge for a while. Only a few people could pull them off, though. 

It helps to be one of hip hop's best duos. 


Another thing only a few could pull off was Big Daddy Kane's lines in the eyebrow. If you didn't date Madonna in her prime, you should've never even tried.



There were giant name rings...

Fashionable and practical.


Pharoahe Monch rocked the ski goggles far away from any slopes...



And piercings became popular, especially with the more alternative/weird rappers. Rappers and their fans started wearing earrings in both ears, in the nose, the eyebrow, or even the lip...





Of course, there were also missteps. Bleached hair really went both ways. Eminem's bright blonde hair, for better or worse, became iconic...


While others were more...moronic...


Then there were the baby binkies. Lil Mama might have been the most famous offender in the 2000s, but a lot of people who should've known better walked around chewing on these things in the 90s.

It's not your fault, Lil Mama.


There were other missteps too, such as Hammer pants. Admittedly, I bought a pair of Skidz (not exactly Hammer pants, but basically the same) so I contributed to the problem, but if you ever wore them you know...they were comfortable as hell.

Don't hurt em.

When it comes to silly but not regrettable fashion trends, there were the spray painted shirts you could get at Six Flags, or if you were lucky, a neighborhood artist. White tees with bright graffiti proclaiming your name, or your love for your girlfriend, or your dead friend's name, were everywhere, and remain a staple at fairs and carnivals across the country.

But the best t-shirt trend of the 90s were the Kriss Kross Bugs & Taz shirts, with Black Bart Simpson a close second.


This was the cover for Roc Marciano's recent EP with Knxwledge. How perfect is he?



Hip hop was literally created by taking other art and making something new with it, "remixing" it, so these items were the perfect reflection of hip hop style. Everybody knew these characters, but here they were presented in a new, fresh way that resonated with a hip hop audience.

Some fashion trends are flashes in the pan (hopefully we never go back to sucking on binkies) but some leave a more permanent mark. Cross Colours perfectly reflects 90s fashion, but will never be worn again. Timberlands and  will always be fashionable and forever tied to 90s NY hip hop. As a product of the East Coast, I am completely biased, but Timz & a Hoody is the ultimate hip hop outfit.

It seems most of current hip hop fashion is a variation, or remix, of 90s fashion. Some (like Lil Uzi Vert) even take from 90s grunge or metal fashion. A lot of the same brands are around, and have immersed themselves into hip hop culture even more by signing deals with rappers to promote or design their gear (Kanye with Adidas, Kendrick with Reebok, etc.). Fashion and hip hop work so well together because rebelliousness, originality, and novelty are key components, and they both can be a powerful form of self-expression. What we listen to and what we wear reflects who we are and often helps us define who we are. Plus, both art forms are always pushing the envelope with an ear to the streets for the next big thing, so it makes sense that they have become so intertwined. Thankfully, hip hop pioneers in the 80s and 90s made the fashion world take notice.

I Love You All...Class Dismissed. 

Wednesday, August 1, 2018

Let's Talk About Sex and Hip Hop: How 90s Rap Helped Stem the AIDS Epidemic

Hip hop has always been a reflection of society, yet since its inception, certain people have blamed hip hop for society's problems; it's been labeled the cause of violence, drug use, Fred Durst, even AIDS. It still gets the blame whenever a conservative needs a convenient scapegoat for mass shootings. Or when their own kid is caught with cocaine. It must be that damn rap music!

There are valid criticisms of rap (and all art) for its content and the influence it has on consumers, but most arguments focus only on the negative and miss the point of influence. Biggie talking about selling drugs and kidnapping a Knicks player isn't going to make me want to do the same. But Biggie wearing a Coogi sweater might make me want to get one. Biggie saying, "Now I throw shields on the dick, to stop me from that HIV shit" might make me think twice about going bareback. Throw in Snoop saying, "I got a pocket full of rubbers and my homeboys do too," and Ghostface Killah telling his boy to "take this raincoat, and practice safe sex," and  protecting yourself from STDs and unwanted pregnancy becomes the cool thing to do. And when it comes to reaching people, especially young people, nothing works better than cool.


Ask Phillip Morris.

Critics argue that rappers promote promiscuity, but studies have shown that hip hop had no negative effect on people's sexual behavior. This study from the National Institutes of Health states, "Popular discourses on young men’s health risks often blame youths’ cultures such as the hip hop culture for increased risk practices but do not critically examine how risk emerges in urban young men’s lives and what aspects of youths’ culture can be protective." The authors of the study claim that Hip hop did not lead to riskier behaviors, and more studies should be done on the positive, or "protective" qualities of hip hop. Nothing says protective like promoting condoms, and it's quite possible that hip hop not only had a positive effect on sexual behavior, but that it played a vital role in helping to stem the HIV/AIDs epidemic in the 90s.

Throughout the 80s and 90s, HIV was rampant in the US. Once people realized it wasn't just killing off "the gays," the realities of the disease caused nationwide panic. TV shows and movies started to address the crisis. Hip hop, the most socially aware genre of music in history, constantly reminded its listeners, and viewers, of the dangers of HIV and the benefits of safe sex.

It wasn't exactly subtle either.

As usual, women led the way. In 1990, fresh off the success of their provocative "Push It," Salt-n-Pepa came back with an educational after school special of a song that somehow became a hit. "Let's Talk About Sex" was all over MTV, BET and mainstream radio. I remember hearing it in the car with a friend's parent and getting embarrassed, but it's such a good song that we were all singing the chorus by the end of it, with my friend's mom emphasizing "and the BAD things that may be."


The song wasn't preaching, it was fun, and conversations about sex should be fun. Kids are more likely to learn that way, but most adults are so uptight about sex that they can't overcome their own discomfort long enough to discuss it with children.

Salt-n-Pepa was by no means the first to mention the merits of condoms and safe sex. It was just the most earnest, and frankly, the most popular instance, so it was the most important. They reached an audience a lot of earlier rappers didn't.

The Teacha, KRS One, deserves a lot of credit for his contributions to providing comprehensive sex education to 80s kids. In 1988, Boogie Down Production released "Jimmy," where KRS says: “Jimmy hats are now in style ‘cause you can’t trust a big butt and a smile.” That song is loaded with gems like: "drippin jimmy’s is straight up wack." The shit is absolutely hilarious, but at the time, HIV was ravaging the country, and the federal government was openly mocking gays and calling people gay for even asking about HIV. Then here comes KRS telling straight men (who he calls "super hoes," so he was ahead of his time on gender equality, too) to wrap it up. It wasn't just gay people who needed to be careful. There was nothing like this in music at the time. BDP didnt exactly make it to mainstream radio, but this song was a legitimate rap hit. About putting on a rubber. In Reagan's America.


Of course, there's one more legend we can't overlook for his contribution to keeping your jimmy from drippin. Kool Moe Dee. The epitome of cool (it's in the name!). Before he was a "player" he had to go see the doctor. This was a cautionary tale about the consequences of unprotected sex. "As I turned around to receive my injection, I said "Next time I'll use some protection." This was 1986, two years earlier than BDP. It was straight up comedy, but it was no joke. Again, the best way to teach young people is using humor and fun, and there's not many songs as fun as this.



"Jimmy hats" became a popular term in rap in the late 80s and 90s. It was like a rebranding of the too technical "condoms" and too silly "rubbers." Jimmy hats was a clever, funny term created by hip, young black men. Hip hop slang, though often ridiculed, travels the world and eventually becomes mainstream. (Remember how many old white people said "fleek" in 2016? They used it mockingly at first, but they used it.)  The term "jimmy hats" maintains that sense of coolness that is so important in reaching young people when it comes to changing risky behavior.

KRS may have pioneered using the term "jimmy" in a song, but others weren't far behind. In Digital Underground's awesome 1990 single, "Same Song," everyone's favorite fake-nosed rapper Humpty says:
Pull out my jimmie, time to get busy wit a Jenny
If it's good and plenty, don't you know
There I go, there I go, there I go
But I don't go nowhere without my jim hat
If I'm rapping, 'cause she's clapping
Then I'm strapping 'cause I'm smarter than that


In 1991, former NWA member Ice Cube released "Look Who's Burnin." The song starts with people talking at a clinic, with one guy saying "I came here to get some rubbers." The nurse lists off STDs. Then Ice Cube comes in and raps:
I went to the free clinic, it was filled to capacity
Now how bad can a piece of ass be?
Very bad, so I had to make the trip
and thank God, I didn’t have the drips
I was there so a hoe couldn’t gimme that
Just to get – twenty free jimmy hats.

One of the top comments on that video says: 
"One of the main reasons I always kept condoms on me...Thankz Cube!"


The same year Ice Cube dropped that song endorsing condoms and clinical check-ups, Magic Johnson was diagnosed with HIV. To say it was a shock doesn't do it justice. The electric chair is a shock. This was an asteroid landing on our heads. The NBA and hip hop have always been closely connected, and Magic's diagnosis reverberated through hip hop culture. There were the obvious jokes but there was also serious concern. If Magic, an icon, a hero, can get this disease, that meant anyone could. It wasn't just the black community or basketball or hip hop community that felt it, it was the whole world waking to this realization.

That's why it was so iconic and powerful when TLC debuted in 1992 and Left Eye wore the condom as an eye patch.

I can't explain the hat though.

It couldn't be ignored. The whole group often wore condoms as accessories. It was a fashion statement with a message. It was provocative, because everything related to sex is provocative in this uptight country, but they were promoting safety as well as female and self empowerment. They showed that women could take control of their own sexual health. They may not have been too proud to beg for sex, but they were too proud to have it unprotected.

Many other rappers deserve credit as well. There were countless lines promoting safe sex in the 90s. In Bonita Applebum, one of hip hop's greatest love songs, Q-Tip lets people know that "if you need em, I got crazy prophylactics." That was before TLC came out, and later, his rhyming partner (RIP Phife) reupped the claim, even shouting out the ladies who had become synonymous with condoms: "But just in case I got more condoms than TLC."

There were also some...questionable references to safe sex. You'd think the man responsible for creating the Hip Hop Love Ballad would be a little smoother with his sexual metaphors. And yet, he released "Pink Cookies in a Plastic Bag Getting Crushed By Buildings." As a single!

This came out in 1993 and I had no idea it was a metaphor for safe sex until 2017.
It still makes no damn sense, but good job I guess, LL.

Jay Z once said he "got a condo with nothing but condoms in it." Damn, Shawn, not even a fridge? Or a bed? Where are you gonna use those condoms? There's not even a rug you can lay out on the floor? It seems a bit excessive.

Dre Dre had an extended verse about his experience with STDs. If I had to guess, I'd say the doctor has had to treat himself a few times:
And before me dig out a bitch I have ta’ find a contraceptive
You never know she could be earnin’ her man,
And learnin’ her man, and at the same time burnin’ her man
Now you know I ain’t wit that shit, Lieutenant
Ain’t no p**sy good enough to get burnt while I’m up in it"

Many rappers like Dre focused on the consequences of unprotected sex to shame people who didn't protect themselves. Shame can have a powerful effect, too. It was not cool to get "burned." We all loved Ol' Dirty Bastard, but we didn't want to be like him and get burned not once, but "actually two times goddammit." Unfortunately, a lot of the shame tactics turned into anger at women, a common male tactic, which is why TLC's fashion statement was so powerful in a male dominated industry.

For the hip hop community, HIV/AIDS hit even closer to home in 1995 with the death of Eazy E. There became a sense of urgency to address the virus in the hip hop community and society as a whole. This was at a time when hip hop was becoming the most popular music genre in the country, so its impact was being felt on a massive scale.

In that year, 1995, there were more deaths from AIDS in the United States than ever before. There were well founded fears of a new age plague.

In 1996, the immensely successful Wu Tang Clan, fresh off a classic debut and several successful solo albums, decided to use their considerable influence for good. They came together with many other popular rappers (Common! Spice 1! Coolio!) to release "America is Dying Slowly," an album full of warnings and advice about HIV/AIDS. On the lead song, "America," Wu Tang raps in the chorus:

AIDS kills, word up respect this, yo
Coming from the Wu, it's real

Here were some of the best and most popular rappers in the world talking about the dangers of unprotected sex and AIDS over a 1996 RZA beat. Incredible.


This album went deep. These artists took real time and effort to make quality music with a powerful message. RZA even gave a great line about the popular conspiratorial claims about HIV:
Overcome with passion, big ass want lust upon him
But nigga he forsake to grab the condom
Fuck it, he said AIDS, was government made
To keep niggas afraid so they won't get laid no babies be made
And the black population will decrease within a decade
German warfare product against the dark shade


They dismissed the myths about AIDS and gave real life advice. It wasn't just a "my label wants me to do something positive" thing. They saw people dying in their community at a rapid pace and knew how serious the situation was, so they decided to do something about it.

By all accounts, it worked. There was a drastic drop in the number of AIDs related deaths in 1996. Many people credit the antiretroviral drugs that became widely available that year, and sure they deserve some credit (okay, a lot of credit) but it's not a reach to say that hip hop played a significant role in raising awareness about the disease.



Despite the rapid drop in AIDS related deaths in the late 90s, HIV/AIDS and STDs never went away, and rappers never stopped promoting safe sex.

In 2003, Freeway rapped: "And she want me to sneak in the building like trolls and a toy, Best believe there's Trojans involved, hats lift over the boy, oh boy."

In 2007, Beanie Sigel, always brilliant, provocative, and politically incorrect, rapped: "I'm Ruthless, but nothin like Eazy, I keep a pocket full of Magnums, believe me."

In 2008, the guy who made eating buttholes popular said: "Safe sex is great sex, better wear a latex cuz u dont want that late text, that 'I think I'm late' text."

Hip hop's promotion of safe sex is so well known that even condom manufacturers and brands took notice. In 2004, a company called Jimmie Hatz (great name!) marketed condoms to the young "urban" crowd. This had the added benefits of making the people at Fox News blow a fuse.

Magnum condoms, a brand popular with rappers for the...genital implications, saw their sales boosted 14 percent from 2001-2010. They largely attribute that boost to rappers referencing the brand in their songs, such as Ludacris ("Stop by the convenience store and pick up them rubbers, Magnum I hope") and Rick Ross ("Hit the Dodge lot I must've copped six Magnums/ Marriott suite, I must've used six magnums"). In 2010, with their first ever marketing campaign (they literally did not run ads because they relied on the free publicity from rappers) they held a rap contest in 2010 to see who could come up with the best song about Magnums.


Even the current White Boy Wonder G-Eazy referenced condoms just last year on a hit song: "keep a Costco pack of rubbers by my night stand." He's smart and thrifty!

Everyone seems to focus on the risky behavior that rap "promotes," such as promiscuity, but if the argument is that rap influences people, logically (considering the abundance of condom references) some of that influence must be positive.

Hip hop, for all the ridiculous blame it receives for society's problems, never got the credit it deserved for raising awareness about HIV/AIDS. The genre was highly influential in avoiding a much worse AIDS epidemic in the 90s and remains an important tool in promoting safe sex.



I Love You All...Class Dismissed.